Есть такая мелодия, исполнить которую стоит некоторых усилий. Она очень смешная, и я подозреваю, что не все сопрано допевают ее до конца, потому что главное в ней - это текст)
Balance a straw From the man whom I love, tho’ my heart I disguise,
I will freely describe the wretch I despise,
And if he has sense but to ballance a straw,
He will sure take the hint from the picture I draw.
A wit without sense, without fancy a beau,
Like a parrot he chatters, and struts like a crow:
A peacock in pride, in grimace a baboon,
In courage a hind, in conceit a gascoon.
As a vulture rapacious, in falsehood a fox,
Inconstant as waves, and unfeeling as rocks,
As a tyger ferocious, perverse as an hog,
In mischief an ape, and in fawning a dog.
In a word, to sum up all his talents together,
His heart is of lead, and his brain is of feather,
Yet, if he has sense but to ballance a straw,
He will sure take the hint from the picture I draw.
Tobias Smollett.
Это надо петь нежненько и под клавесин).
И вот захожу я на Квору, а там лежит ЕЩЕ ХУЖЕ)
Так сказать, вариант с другой стороны.
"
If you read this poem by X J Kennedy carefully... In a Prominent Bar in Secaucus One Day
In a prominent bar in Secaucus one day
Rose a lady in skunk with a topheavy sway,
Raised a knobby red finger–all turned from their beer–
While with eyes bright as snowcrust she sang high and clear:
‘Now who of you'd think from an eyeload of me
That I once was a lady as proud as could be?
Oh I'd never sit down by a tumbledown drunk
If it wasn't, my dears, for the high cost of junk.
‘All the gents used to swear that the white of my calf
Beat the down of the swan by a length and a half.
In the kerchief of linen I caught to my nose
Ah, there never fell snot, but a little gold rose.
‘I had seven gold teeth and a toothpick of gold,
My Virginia cheroot was a leaf of it rolled
And I'd light it each time with a thousand in cash–
Why the bums used to fight if I flicked them an ash.
‘Once the toast of the Biltmore, the belle of the Taft,
I would drink bottle beer at the Drake, never draught,
And dine at the Astor on Salisbury steak
With a clean tablecloth for each bite I did take.
‘In a car like the Roxy I'd roll to the track,
A steel-guitar trio, a bar in the back,
And the wheels made no noise, they turned ever so fast,
Still it took you ten minutes to see me go past.
‘When the horses bowed down to me that I might choose,
I bet on them all, for I hated to lose.
Now I'm saddled each night for my butter and eggs
And the broken threads race down the backs of my legs.
‘Let you hold in mind, girls, that your beauty must pass
Like a lovely white clover that rusts with its grass.
Keep your bottoms off barstools and marry you young
Or be left–an old barrel with many a bung.
‘For when time takes you out for a spin in his car
You'll be hard-pressed to stop him from going too far
And be left by the roadside, for all your good deeds,
Two toadstools for tits and a face full of weeds.'
All the house raised a cheer, but the man at the bar
Made a phone call and up pulled a red patrol car
And she blew us a kiss as they copped her away
From that prominent bar in Secaucus, N.J."
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